TRACCE Online Rock Art Bulletin 4 – Jul 1996
 TRACCE Online Rock Art Bulletin no. 4
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Posted inTRACCE Onl. RA Bull. 4
Links and short news
TRACCE no. 4
Main Archaeological links, main Rock Art links, Short news and appointments…
The Sun, the Moon and the helping deers
TRACCE no. 4 – by III B classroom of Cena elementary school
This is a tale invented by children during a Rupestrian Archaeology educational workshop in a Turin (Italy) elementary school.
“Topographic” Engravings (Alpine arc) part ***
TRACCE no. 4 – by Andrea Arcà
The Settled Ground in the “Topographic” Engravings
of the Alpine Arc
Posted inEastern Alps TRACCE Onl. RA Bull. 4
The State of the Research part ***
TRACCE no. 4 – by Angelo Fossati
The state of the research: Alpine and Italian post-palaeolithic Rock Art 1990-1995
* Part 3 - The Eastern Alps, Italy and the Balkans *
After the first discoveries of rock art in Austria, about 30 new sites have been discovered in Tirol, Niederösterreich, Salzburg and Stiria…
Posted inSouth America TRACCE Onl. RA Bull. 4
Rock Art in Santa Catarina Island
TRACCE no. 4 – by Rodrigo Aguiar
Rock Art in Santa Catarina Island and adjacent areas, Brasil
Santa Catarina Island (state of Santa Catarina, Brasil) is very rich in prehistoric archaeological sites.
Posted inAustralia TRACCE Onl. RA Bull. 4
Aboriginal Rock Art
TRACCE no. 4 – by Chris Kirtley
Aboriginal Rock Art, Carnarvon National Park, Queensland, Australia
Carnarvon Gorge, near the town of Roma (some 400 km west of the Queensland State capital of Brisbane), is something of a shangri-la.
Posted inIberian peninsula TRACCE Onl. RA Bull. 4
A question of skin
TRACCE no. 4 – by Andrea Arcà – Angelo Fossati
A question of skin: AMS vs. Rupestrian Archaeology?
The second aspect of direct dating experiences in Côa Valley is AMS method. We will refer here to the text recently issued in Rock Art Research volume 12 number 2.
The Côa Valley affair
TRACCE no. 4 – by João Zilhão
At the request of the editor of TRACCE, I comment here on the text by Robert Bednarik published in number 3, May 1996, of this online rock art newsletter. I do it as a token of consideration toward the editor and the cooperative Le Orme dell’Uomo, an organization that played an important role in rallying international support to preserve the Côa Valley rock art sites.