Posted inAcademics Featured North America

The Bighorn Ghost Image – Utah

Rock art images of Bighorn Sheep are ubiquitous in the west of North America. They have been manufactured almost invariably in profile, yet in many guises. This study describes an – in my opinion – unique example of a Bighorn recorded by my wife Elles and me at Cedar Point; a petroglyph site in the extreme south of Utah. The Bighorn is intentionally large, yet fainty executed, resulting in a “ghostly” appearance, hence my (subjective) name of the image: “the Bighorn Ghost”.

By Maarten van Hoek

Posted inAcademics Featured North America

The Female Exposing Breasts

In this study a possibly unique petroglyph will be discussed. It was recorded by my wife Elles and me at the Sand Dune site in the San Juan drainage of southern Utah in 2005. Close inspection revealed that it most likely concerns a Basketmaker Anasazi image of a (deceased?) female. Rock art images unambiguously showing female sex are rare in the area, and this example is even more special as the figure features two large, circular areas depicting breasts, that, moreover, have intentionally been manufactured in the rarely used Bas Relief technique.

By Maarten van Hoek

Posted inAcademics Featured Interpretation and semiotics North America

Fish Walking in the Desert?

This short paper discusses the problems that researchers often experience while attempting to interpret specific rock art images. Some of those problems will be discussed, while the paper also offers a selection of rock art images of “Unexpected Walkers”, focussing on purported “Walking Fish” images, the possible readings of which will be discussed.

By Maarten van Hoek

Posted inAcademics Featured North America

Bird Petroglyphs at Three Rivers

This paper offers a selection of bird petroglyphs recorded at Three Rivers, the largest rock art site in the Mogollon Territory of southern New Mexico, North America. In this paper I discuss the several, often enigmatic representations of various birds at Three Rivers and I attempt at offering hopefully acceptable interpretations. In my opinion, birds (also at Three Rivers) functioned as messengers to the ancestors and deities that reside in the Upper Realm, and/or birds symbolised fertility, especially when associated with the Cloud Terrace.

By Maarten van Hoek

Posted inAcademics Featured North America South America

Symbols on Top of a Pole in Rock Art

This paper describes specific petroglyphs recorded at sites in Peru (South America) and sites in New Mexico (North America). It concerns images of symbols that are found at the top of a vertically held pole. The symbol may be an object, a biomorph or an abstract pattern. The three areas that are being discussed have different types of images. For instance, poles with birds on top are most frequent at sites in Peru, while examples in New Mexico have poles often carried by biomorphs (absent in Peru). A careful attempt will be made to interpret the symbol-on-poles configuration.

By Maarten van Hoek

Posted inAcademics Featured North America South America

The “Severed Limb” in the Rock Art of New Mexico

This paper describes several petroglyphs recorded at a few sites in New Mexico, Northern America, that represent isolated feet, legs, hands and arms, suggesting that those body parts had been violently severed from the human body, or – in some instances – from an animal body. There is no informed knowledge available and therefore the paper will only offer a possible explanation by comparing the severed body parts with imagery found at the Slaughter House at Cerro Sechín, an important ancient temple complex very near the Pacific Coast in northern Peru, and with some petroglyphs at Palamenco, not far from Cerro Sechín.

By Maarten van Hoek

Posted inAcademics Australia Featured South America

“Hidden” Images in Rock Art

This study is about a less recognised and controversial phenomenon in rock art production. In my opinion certain images and/or elements of an image have intentionally been “hidden” by the manufacturer, possibly for several (often differing) reasons. A small selection of examples from all over the world have been included and illustrated. However, I argue that the most “conspicuously” “hidden” elements are not even present; they are invisible (on purpose!).

By Maarten van Hoek

Posted inAcademics Featured Mid-America South America

Detached Heads in Rock Art

This study deals with images of anthropomorphic figures in rock art and geoglyph art that clearly have been depicted with a Detached Head. It focusses on two rock art sites; Miculla in the desert of southern Peru, and La Proveedora in the NW of Mexico. Both sites feature specific anthropomorphic figures that have intentionally been drawn without the heads being attached to the body. Also geoglyphs with Detached Heads (in Peru and Chile) will be discussed. It will (very tentatively) been attempted to explain the differences between the two sites, while also the (general) problem of interpretation will be considered.

By Maarten van Hoek

Posted inAcademics Featured South America

Petroglyphs of Cerro Queneto – Peru

This study – about the petroglyphs at Cerro Queneto – is part of a bigger project covering several sites in the neighbouring drainages of the Río Moche and Río Virú (northern Peru). The paper offers a review and inventory of two of the three rock art groups bordering the western fringe of the alluvial fan of the Quebrada de San Juan (part of the Virú Drainage). This is the first “complete” inventory of the two little-known rock art sites that my wife and I discovered in the area.

By  Maarten van Hoek

Posted inAcademics Featured South America

Monkey Petroglyphs in Coastal Peru

The rock art of the Desert Andes, the extremely dry coastal strip west of the High Andes in South America, abounds in images of all sorts of animals. Most animals are to be expected: camelids, birds, snakes and felines, for instance. However, there is one animal species that is unforeseen. It concerns the image of the monkey. This study explores the distribution if the monkey in the rock art of mainly coastal Peru, and attempts at explaining the figure.

By Maarten van Hoek

Posted inAcademics Featured Geoglyphs South America

The Stepped Design in Desert Andes Rock Art

There are several motifs and images that have an unexpected rare occurrence in the rock art of the Desert Andes of South America. One such a motif is the Stepped Design that is ubiquitously depicted on ceramics, textiles and in other artefacts, as well as in architectural art. However, the Stepped Design is an anomaly (in several ways) in the rock art of coastal Chile and Peru. This study explores the distribution and attempts at explaining those anomalies.

By Maarten van Hoek

Posted inAcademics Featured South America

The Chillihuay “Lord” – Peru

This paper discusses the possible meaning of two impressive petroglyphs at Chillihuay in the Ocoña Drainage of southern Peru. One petroglyph concerns the very large image of what is often called “The Lord”, which suggests that it is an image of an Andean God, possibly the well-known Staff God. Despite the many conflicts and wars that no doubt occurred throughout prehistoric Andes, it is in my mind certain that the two petroglyphs at Chillihuay offer no evidence for a militaristic theme in the rock art of the area, as is – in my opinion incorrectly – claimed by archaeologists Scaffidi and Tung, and later also accepted by Zborover.

By Maarten van Hoek

Posted inAcademics Featured South America

Puzzling Petroglyphs at Chillihuay -Peru

The west part of the Department of Arequipa in the south of Peru is extremely rich in rock art sites. All those sites are part of the Majes Rock Art Sphere, the rock art region where the Majes Rock Art Style dominates the area. Well-known to rock art researchers are the major sites of Mollebaya Chico, La Caldera and Quilcapampa in the Vítor Drainage, Illomas in the Manga Drainage, and – above all – Alto de Pitis and Toro Muerto in the Central ajes Valley. Less known, but equally important, is the exceptional site of Chillihuay in the Ocoña Drainage, the subject of my study.

By Maarten van Hoek

Posted inAcademics Featured South America

A Petroglyph Panel at Chillihuay, Peru.

This study mainly focusses on the rock art imagery on one specific and special panel at the rock art site of Chillihuay in southern Peru. This panel has an exceptionally high number of much differing anthropomorphic petroglyphs that – in my opinion – have intentionally been executed at this spot, high upon the mountain. I also argue that this collection expresses the worldview of the ancient peoples of this area, which may well be related to the Sacred Mountain of the area.

By Maarten van Hoek

Posted inAcademics Featured Geoglyphs Mines Protection – Salvaguardia Rock art SOS SOS South America

El Vagón Violated (Peru).

This short paper reports the unexpected destruction and violation of an important rock art site – El Vagón – in the Moche Drainage of northern Peru. In 2019 I published a full account of this site, based on several surveys by my wife and me. In 2017 there was no destruction visible, but in August 2024 I found (via Google Earth) out that the site had been destroyed by heavy machinery. This short paper discusses the damage, often referring to my earlier publication. It is sad that the site survived from the Formative Period (2000-500 B.C.) up to at least 2022, and was then recklessly and shamefully violated and destroyed in a few days, apparently without any warning or any official archaeological survey. Permission should never have been granted!

By  Maarten van Hoek