Posted inTRACCE Bulletin E-covers TRACCE Onl. RA Bull. 2 TRACCE Onl. RA Bull. HTML issues Valcamonica - Valtellina Western Alps
TRACCE Online Rock Art Bulletin 2 – Mar 1996
 TRACCE Online Rock Art Bulletin no. 2
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Guestbook & new features
TRACCE no. 2 – by guestbook people
1996 TRACCE guestbook posts
Short news and appointments
TRACCE no. 2
Rock Art mail list 1996 January-February subjects, short news, how to contribute…
Archeo-links, rock art links (“retro” web)
TRACCE no. 2 – “retro” web
1996: main archeological links and rock art links.
Posted inMont Bego - Monte Bego TRACCE Onl. RA Bull. 2 TRACCE Onl. RA Bull. HTML issues Valcamonica - Valtellina
“Topographic” Engravings (Alpine arc) part *
TRACCE no. 2 – by Andrea Arcà
The Settled Ground
in the “Topographic” Engravings
of the Alpine Arc
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The State of the Research (Alpine Arc) part *
TRACCE no. 2 – by Angelo Fossati
The state of the research: Alpine and Italian post-palaeolithic Rock Art 1990-1995
* Part 1 - The Western Alps *
In the western areas of the Alps different new sites have been brought to light.
Rock no. 20 of Redondo (Valcamonica)
TRACCE no. 2 – by Elena Marchi
The Iron Age is particularly interesting in Camunian Rock Art for the abundance and the variety of figurative themes…
Petroglyphs and Pictographs of Missouri
TRACCE no. 2 – by Carol Diaz-Granados
In 1993, a two-volume dissertation was completed entitled: The Petroglyphs and Pictographs of Missouri: A distributional, stylistic, contextual, temporal, and functional analysis of the state’s rock graphics.
Rock Art and Lilliputian Hallucinations
TRACCE no. 2 – by Kevin L. Callahan
Ethnohistorical sources regarding the creation of rock art around the world frequently make reference to “little people” as the makers of rock art. As David Whitley (1991) has noted, this may be due to a taboo against talking about a dead shaman and not verbally distinguishing the shaman’s spirit helper or tutelary spirit from the deceased shaman
Rock Art & the WEB
TRACCE no. 2 – by Andrea Arcà
If we imagine any HOST of the web as a directory and every URL as a file of a unique computer, we can immediately realise that we are working with the biggest data “store” ever created by man. The electronic memory grows day by day, HTML by HTML, JPG by JPG. If Rock Art plays a good role in the web, it’s sure that the web could play the best role for Rock Art.