Discovering Southern African rock art

Eight years ago, two South African archaeology students were walking in the breathtaking Drakensberg Mountains. As the sun began to set after a hard day’s searching for ancient rock paintings, they made their way back to camp. Suddenly, a ferocious lightning storm struck. One of the students pointed to a rock shelter at the top of a steep hill to the west.
by Jamie Hampson MA (Oxon)
November 8 1994: Côa Valley, a date to remember

The rock art community first heard of the existence of a major rock-art site in the Côa river valley on 8 November 1994. In the Anuário da Região Duriense of 1939, José Silvério Andrade refers to several engravings. Andrade’s note never reached the attention of the right scholars. He is the first and real discoverer of the Côa area engravings.
by Mila Simões de Abreu and Alexandre Parafita
Analisi probabilistica delle “Rose” di Sellero
La rosa di Carpene a Sellero in Valcamonica è formata da due linee di 5 coppelle ciascuna allineate lungo la direzione Nord-Sud ed Est-Ovest. La linea nord-sud è racchiudibile in un inviluppo rettangolare minimo pari con dimensioni A=60 cm e B=5 cm. Il rapporto B/A vale 0.083 che conduce ad una “fuzziness” pari a 4.8 gradi.
by Adriano Gaspani
L’analisi delle configurazioni di coppelle

Lo scopo di questo lavoro è quello di mettere a punto una metodologia oggettiva basata su solide basi matematiche e statistiche capace di classificare in maniera del tutto automatica e affidabile le configurazioni rilevate, fornendo anche una misura della quantità di informazione in esse codificata.
by Adriano Gaspani
The rhombus: a very frequent rock art sign

In the research area of Upper Austrian Salzkammergut rhombi can be found at 32 of 44 sites (73 %). Thus it is the sign with the widest distribution. The rhomb occurs in all altitudes and in all sorts of sites. The places with the greatest number of rhombi are: Kienbachklamm, Echerntal and Steinberg, Nieder Dürren and Sulzbach.
by Werner Pichler
Save Dampier rock art

Another serious menace to a major rock art site. What can we do? We can start from the online petition Save Dampier rock art.
by Robert G. Bednarik














