Posted inAcademics Featured South America

Petroglyphs of Cerro Queneto – Peru

This study – about the petroglyphs at Cerro Queneto – is part of a bigger project covering several sites in the neighbouring drainages of the Río Moche and Río Virú (northern Peru). The paper offers a review and inventory of two of the three rock art groups bordering the western fringe of the alluvial fan of the Quebrada de San Juan (part of the Virú Drainage). This is the first “complete” inventory of the two little-known rock art sites that my wife and I discovered in the area.

By  Maarten van Hoek

Posted inAcademics Featured South America

Puzzling Petroglyphs at Chillihuay -Peru

The west part of the Department of Arequipa in the south of Peru is extremely rich in rock art sites. All those sites are part of the Majes Rock Art Sphere, the rock art region where the Majes Rock Art Style dominates the area. Well-known to rock art researchers are the major sites of Mollebaya Chico, La Caldera and Quilcapampa in the Vítor Drainage, Illomas in the Manga Drainage, and – above all – Alto de Pitis and Toro Muerto in the Central ajes Valley. Less known, but equally important, is the exceptional site of Chillihuay in the Ocoña Drainage, the subject of my study.

By Maarten van Hoek

Posted inAcademics Featured South America

“Trophy” Head # 42 at Toro Muerto?

This short note discusses a possible addition of a “Trophy” Head petroglyph at Toro Muerto, southern Peru. Toro Muerto has the biggest concentration of “Trophy” Head petroglyphs in the Desert Andes. This paper suggests that another example can be added to the grand total, but simultaneously proposes that this new (possible) find – and many other panels at Toro Muerto – should be photographed in optimal circumstances to ascertain its identification.

By Maarten van Hoek

Posted inAcademics Featured South America

The Case of Boulder AP3-060, Alto de Pitis, Majes Valley

My paper describes the images on a boulder that has one of the most complex biomorphic petroglyphs in the Majes Valley and in Arequipa rock art. It may well be death-related, as will be demonstrated. Another death-related petroglyph on an adjoining panel definitely links the boulder – and the whole site – with Apu Coropuna, the most Sacred Mountain of the whole of southern Peru.

By  Maarten van Hoek

Posted inAcademics Featured South America

Rock Art at Torán, Majes Valley, Peru

The paper proves that even “minor” rock art sites can be most interesting, especially when placing such a “minor” site in a larger local and regional context. Torán is such an important “minor” site, as it is clearly connected with the two most important “major” rock art sites in the valley; Toro Muerto and Alto de Pitis.

By Maarten van Hoek

Posted inAcademics Featured Footprints South America

Rock Art at Punta Colorada, Majes, Peru

The paper proves that even “minor” rock art sites can be most interesting, especially when placing such a “minor” site in a larger local and regional context. Punta Colorada is such an important “minor” site as it may well connect (graphically, literally and metaphorically) two most important “major” rock art sites in the valley. Additionally, the site of Punta Colorada also seems to establish the spiritual link between certain rock art icons and Apu Coropuna, the Sacred Mountain of southern Peru.

By Maarten van Hoek

Posted inAcademics Featured South America

The Origin of the Cochineros Bird

It is very rare to find a unique rock art image repeated on ceramics or textiles from contemporaneous cultures. This study discusses the parallel between the unique petroglyph of a deliberately rotated bird image at Cochineros, a rock art site along the Río Mala, and compares the bird with similar images on ceramics and textiles of a surprisingly large coastal area.

By Maarten van Hoek

Posted inFeatured South America

A New Petroglyph Site in the Palpa Valley

The valley of the Río Palpa, tributary of the Río Grande drainage in the Department of Ica on the south coast of Peru, is very rich in rock art sites; all comprising petroglyphs. At this moment (July 2022) nine sites with petroglyphs had already been recorded (more information about rock art in the Palpa Valley is available in my book about Páracas rock art: Van Hoek 2021: Fig. 7

By Maarten van Hoek

Posted inAcademics Featured South America

Quebrada de La Tuna – Southern Peru

Quebrada de La Tuna is a small, yet important petroglyph site in the Sihuas Valley of southern Peru. As early as 1977 Cuban archaeologist Antonio Núñez Jiménez visited the site and recorded several boulders with petroglyphs. This present study re-describes the site, offering updated information about the rock art (based on our survey of 2008), also explaining the position of Núñez Jiménez.

By Maarten van Hoek

Posted inAcademics Featured South America

Los Petroglifos de Pariacha, Perú

This study describes a little-known rock art site located on very high ground between the rivers Rímac and Lurín, a short distance inland from the capital of Perú, Lima. It has been reported for the first time in 2014. At least 25 boulders with petroglyphs have been discussed in this study.

Este estudio describe un sitio de arte rupestre poco conocido ubicado en un terreno muy alto entre los ríos Rímac y Lurín, a poca distancia tierra adentro de la capital del Perú, Lima. Se informó por primera vez en 2014. En este estudio se han discutido al menos 25 rocas con petroglifos.

By Van Hoek and Cárdenas

Posted inAcademics Featured South America

Los Petroglifos de Purunhuasi, Perú

Report describing a hitherto undescribed rock art site ENE of Lima, Peru. Simple petroglyphs of quadrupeds (camelids?) and abstract motifs predominate, but there is at least one interesting zoomorphic image as well.

Informe que describe un sitio de arte rupestre hasta ahora no descrito ENE de Lima, Perú. Predominan los petroglifos simples de cuadrúpedos (¿camélidos?) y motivos abstractos, pero también hay al menos una imagen zoomorfa interesante.

By Maarten van Hoek and Gustavo Cárdenas

Posted inAcademics Geoglyphs South America

El Arte Rupestre del Valle de Huarmey

La franja costera extremadamente seca al oeste de los Andes es muy rica en arte rupestre. Sin embargo, la distribución es bastante desigual. Algunos valles tienen una plétora de arte rupestre, como el valle de Reque-Chancay al este de Chiclayo, mientras que otros valles tienen solo unos pocos sitios con una modesta variedad de imágenes de arte rupestre. Uno de esos valles es el valle del río Huarmey. Este artículo presenta una revisión de los seis sitios con arte rupestre de este valle, escrito con la muy apreciada colaboración de Gustavo Cárdenas Huachaca (Perú).

Por Maarten van Hoek y Gustavo Cárdenas

Posted inAcademics Featured South America

Vítor Valley Rock Art Sites: Tacar

The coastal areas of the Department of Arequipa in southern Peru are very rich in rock art. Most of the rock art sites are found along or very near river valleys. One of those river valleys that is rich in rock art is the valley of the Río Vítor. In this study the rock art in the stretch of river between the confluence with the Río Yura in the north of the Vítor-Chili drainage and the confluence with the Río Sihuas, further downstream, will be discussed.

By Maarten van Hoek

Posted inAcademics Featured South America

The Rock Art Site of La Laja – Peru

La Laja is a major rock art concentration on a large outcrop wall high above the Majes River valley in southern Peru. This article describes the many rock art images at La Laja and attempts at a tentative chronology. Most of the imagery belongs to the Majes Rock Art Style (see Van hoek 2018 for more information), although several images are later.

By Maarten van Hoek