FB and rock art serendipity 1

FB_post_Tanum150
FB posts

On FB, amidst the continuous flow of links and pictures, faces and likes, new events and old news, something interesting suddenly appears.TRACCE FB social page shares this little or great bricks of knowledge. Here a listing of some of these sharings, periodically updated. As casual finds in archaeology, rock art serendipity may happen, and research synapses aroused, we hope!

by TRACCE Archaeology FB social page

Reflecting (on) Petroglyphs: Two Cases

diaguita
Parque Diaguita

Two instances of special petroglyph manifestations in Namibia (Twyfelfontein Valley) and Peru (Virú Valley), having very limited visibility, will be discussed in this paper.
Dos casos de manifestaciones especiales de petroglifos en Namibia (Valle de Twyfelfontein) y Perú (Valle de Virú), que demuestran de tener una visibilidad muy limitada, serán discutidos en este documento.

by Maarten van Hoek


Arte rupestre australiana: conferenze

Nourlangie
Nourlangie

Spiritualità ed interpretazione della tradizione aborigena australiana, dalle origini al mondo contemporaneo. Due conferenze di Marisa GIORGI (Information Officer del Brisbane Queensland Museum) per presentare la spiritualità originale degli aborigeni e per capire perché abbiano un interesse per la protezione dell’arte rupestre in merito alla loro identità e all’interesse economico per il turismo.

Venerdì 21 novembre 2014 ore 21
bibioteca Civica di Cerveno (Valcamonica)
Venerdì 28 novembre 2014 ore 17
presso la sala della biblioteca regionale di Aosta.

Magura Cave paintings, Bulgarian rock art

Sun figure

Situated in north-western Bulgaria, and managed by the Belogradchik municipality, the Magura cave (Пещера МАГУРА) is, with the Porto Badisco cave (south Italy), the most important European post-Palaeolithic painted cave. Hundreds of dark brown figures are diffused along an astonishing underground Art Gallery: hunting, dancing and mating scenes, bi-triangular female silhouettes, axes, solar symbols… a prehistoric iconographic treasure which definitely deserves a special attention. [Text and photogallery]

by Andrea ARCÀ

Magura cave photogallery

bitriang150
Magura figure

The Bulgarian Magura cave is well known for its impressive prehistoric paintings, scattered along an astonishing and dreamy 240 m long underground diverticulum, for which its Art Gallery is really worth a visit. More than 750 darkish figures have been counted, made with bat guano, smeared or rubbed along the cave walls; on the curvy  shaped vaults and niches, white or yellowish “plastered” by the nature, we can recognise dancing, hunting, and mating scenes, and organise the figures into four thematic groups: anthropomorphic, zoomorphic, geometric, and symbolic signs. [Text and photogallery]

by AA

Bulgarian rock art: the Madara rider

Madara_horse150
Madara rider

The Madara rider is a unique monument of the ancient Bulgarian art. Its popularity is immense in Bulgaria and since 1979 it has been included in the UNESCO World Heritage list. The high-relief depicts a rider on his stallion accompanied by a dog. A dead lion is carved under the horse and some inscriptions in Greek all around. The scene celebrates the founding of the Bulgarian state by the Khan Asparukh (680-700 AD). The Madara rider is the only European rock carved monument from the Early Middle Ages. [Text and photogallery]

by rupestre

Saint Vincent, nuove incisioni rupestri preistoriche

stamb150
Ibex – stambecco

New important prehistoric rock carvings have been found by Eusebio Imperial of the S.Va.PA.– Société Valdôtaine de Préhistoire et d’Archéologie. Among them ibexes and fringed figures. Here a preliminary report by A.E. Fossati. Relazione di A.E. Fossati sulle nuove importanti incisioni rupestri preistoriche con stambecchi e figure frangiate scoperte in Valle d’Aosta.

by A. E. Fossati

Bric Ercea, Finalese, petroglifi e manufatti litici

Bric Ercea
Bric Ercea

Il Bric Ercea è un rilievo posto a sud di Bric Pianarella, facilmente raggiungibile dalla località di Monticello e di San Bernardino, presso Finale Ligure.Viene descritto il sito con i reperti litici, i rapporti con vicine strutture di analogo significato, con riferimenti a possibili interessamenti archeologici ed archeoastronomici. Segue una discussione sulle ipotesi di datazione e di utilizzo dei ritrovamenti.

by A. Pirondini, G.P. Bocca, F. Pirondini,
C. Pirondini, C. Villa


The Felines of Foum Chenna, Morocco

Foum Chenna
Foum Chenna

Depictions of cats in rock all over the world art are frequently characterised by specific feline properties. The feline images at the petroglyph site of Foum Chenna in southern Morocco are much less idiosyncratic. Besides a general description of the rock art site of Foum Chenna, the current paper attempts at a re-evaluation of the image of the feline at Foum Chenna, simultaneously trying to fit the image into a chronology of Moroccan rock art.

by Maarten van Hoek


Ricerca in Valcamonica, quale futuro?

Vite54_rili150
tracing rock art

Tavola rotonda tra ricercatori e rappresentanti delle Istituzioni sul futuro della ricerca in Valcamonica, arte rupestre e non solo, Breno 20 giugno 2014.  

Which future for the research in Valcamonica? June 20 2014, round table at Breno (Valcamonica, I), discussion among researchers and governmental representatives.

by Valcamonica rock art


Le manifestazioni del sacro e l’età del Rame

vaso_campanif150
Bell beaker

The manifestations of the sacred and the Copper Age in the Alps and in the Po Valley, archaeological congress a Brescia (I), with emphasis on funerary rituals and rock art and statue stelae symbolism. Convegno archeologico 23 e 24 maggio 2014, Brescia, con approfondimenti sui rituali funerari che caratterizzano questo periodo e sul simbolismo dell’arte rupestre e delle statue-stele coeve. 

by Manifestazioni del Sacro

Chiza, Interpreting Digitally Restored Petroglyphs

Chiza petroglyph
Chiza Petroglyphs

The goal of this paper is to offer the interested reader a digital restoration and interpretation of the images of a vandalized petroglyph boulder located in the Atacama Desert, northern Chile. Its damaged face underscores the urgent necessity to ([photo])graphic record rock art sites in general. It is hoped that very soon a complete survey will be made of the Chiza petroglyph site and that the official survey will be made available to rock art researchers.

by Maarten van Hoek

2014 IFRAO Guiyang Congress

Yunnan rock art
Yunnan rock art

With the rapid economic development in China and the increasing influence of the Chinese culture, China is ready to be the new host of the IFRAO (International Federation of Rock Art Organisations) world Congress. Congress Date: July 16-18, 2014 (July 15 for registration). Congress Venue: Guiyang Pullman Hotel. Guizhou Province, located in the center of the Southwestern China, is rich in the resources of rock art and facilitates rock art investigation with its convenient transport.

by the organizing Committe Office

Chenal: il riparo inciso – the engraved shelter

Chenal schelter
Chenal shelter

Una recente scoperta: le più antiche figure post-paleolitiche dell’arte rupestre alpina. A recent discovery: the most ancient post-palaeolithic figures of the alpine rock art. Venerdì 9 maggio 2014 ore 17.30 presentazione pubblica ad Aosta; Friday, May 9, 2014 5:30 p.m. public presentation at Aosta (I).

.

by A. Arcà, D. Daudry, A. Fossati, F. Morello, L. Raiteri, L. Bornaz

Valcamonica, Museo Nazionale della Preistoria

Mupre_logo150Sabato 10 maggio 2014 inaugurazione del MUPRE – Museo Nazionale della Preistoria a Capo di Ponte, che integra la musealizzazione del patrimonio iconografico della Valcamonica con quella dei contesti e dei reperti archeologici. Saturday, May 10, 2014 inauguration of MUPRE – National Museum of Prehistory in Capo di Ponte, which integrates the exhibit of the Valcamonica iconographic heritage with the archaeological contexts and findings

by MUPRE

Prehistory popularisation: a de profundis?

bison
Cave art

Two recently published archaeology books, mainly or partially concerning cave art, show a set of inaccuracies that doesn’t seem acceptable, not only at a specialised scientific level but also at an educational one. The lack of a review process performed by professional archaeologists demonstrates the weakness in Italy, and not only, of the archaeologist profession, particularly in the prehistoric and rock art fields.

by R.C. de Marinis