Rock Art and Lilliputian Hallucinations

Pipestone. Minnesota

TRACCE no. 2 – by Kevin L. Callahan


Ethnohistorical sources regarding the creation of rock art around the world frequently make reference to “little people” as the makers of rock art. As David Whitley (1991) has noted, this may be due to a taboo against talking about a dead shaman and not verbally distinguishing the shaman’s spirit helper or tutelary spirit from the deceased shaman

Rock Art & the WEB

Lascaux cave

TRACCE no. 2 – by Andrea Arcà


If we imagine any HOST of the web as a directory and every URL as a file of a unique computer, we can immediately realise that we are working with the biggest data “store” ever created by man. The electronic memory grows day by day, HTML by HTML, JPG by JPG. If Rock Art plays a good role in the web, it’s sure that the web could play the best role for Rock Art.

Direct dating: does it work?

Coa valley

TRACCE no. 1 – by Andrea Arcà


Direct dating: does it work? The Côa Valley experience. For the first time in Europe supposed scientific direct dating methods on open air rocks have been applied. According to the necessity of doing an experimental test, the site chosen was little and not relevant: the Côa Valley petroglyph site, the first European open air rock art site in palaeolithic style.