TRACCE no. 13 – by Mila Simoes de Abreu, IFRAO Portugal
The International Federation of Rock Art Organizations applauds the important discovery of rock-engravings by the river Guadiana in Spain and Portugal, in a zone that will be flooded by the Alqueva dam.
TRACCE no. 13 – de Mila Simoes de Abreu, IFRAO Portugal
Nomeação imediata de uma comissão internacional de acompanhamento verdadeiramente independente. Demissão dos responsáveis do IPA e do CNART que não verificaram o trabalho levado a cabo pela EDIA. Participação internacional do esforço de prospecção, levantamento e estudo das gravuras rupestres do rio Guadiana.
TRACCE no. 13 – by Past Signs and present Memories project
The recent discovery of an important prehistoric art complex in the Iberian Peninsula, in the Guadiana valley, imposes itself as a reason for joy, but also for concern, from the archaeologists and European citizens.
TRACCE no. 13 – by Editor
Guadiana rock art related links dating back to 2011. Most of these links are no more working (try Google and Web Archive – Wayback machine): perhaps a broom blow was given over an underwater but still hot problem…
TRACCE no. 13 – by Movimento Cota 139
How EU and national policies can still promote unsustainable models of rural development that destroy habitats and species protected under EU law.
TRACCE no. 13 – by IMHO – The International Minimisation Heritage Organisation
A new technique has been found: it is called the “MINIMISATION”. Really very simple: it is sufficient to “MINIMISE” the impact of the dam over the natural and the cultural environment by MINIMISING the natural and the cultural heritage itself. The Columbus’ egg!.
TRACCE no. 13 – by International Rock Art Community
List of people who endorsed the petition to Portuguese government and European Union till the 18 February 2002.
Originally posted at: http://www.petitiononline.com/Alqueva/petition.html
TRACCE no. 13 – by Editor
16 pictures from the Spanish side of the Guadiana river: environment and rock art (now submerged by the dam)
TRACCE no. 13 – by Editor
22 pictures from the Portuguese side of the Guadiana river: many different kinds of rock art figures, now submerged by the dam
TRACCE no. 13 – by TRACCE editor
(de Cheles 2000 en imágenes)
Esto es un fragmento del libro en el que muestro las fotografías y describo los paisajes, monumentos, fauna y flora próximos a Cheles que van a desaparecer cuando se termine el embalse de Alqueva. En este fragmento están los molinos. es el capítulo más largo del libro.
Jacinto Gil Sierra
TRACCE no. 12 – by Ludwig Jaffe
An archaeologist who campaigned to stop a dam from destroying prehistoric rock-art in Portugal’s Côa Valley is appealing against a harsh five-month jail sentence for criminal libel and defamation.
TRACCE no. 12 – by Robert G. Bednarik
The Côa valley in northern Portugal has been a focus of world archaeology for the past few years, first because of the two bungled archaeological surveys and the subsequent threat of inundation, then because of the reported age estimates of its rock art, and later because of accusations of state-funded archaeological vandalism (1).
TRACCE no. 12 – by H. Collado Giraldo, J.J. García, Colectivo Barbaón
Nuevas pinturas rupestres en Extremadura (España).
Con el título “Un espacio natural con historia: prospección, documentación y puesta en valor del patrimonio histórico y artístico del Parque Natural de Monfragüe (Cáceres)”, se enmarca un proyecto de investigación que es llevado a cabo desde 1997 por el denominado “Colectivo Barbaón”.
TRACCE no. 10 – by Giacomo Omallini
The Man of Bicorp in danger (Cueva de la Arana, Spain).
This rock painting discovered in 1921, in the cave of the Spider(Cueva de la Arana), in the province of Valencia, in Spain, dating back to the end of Palaeolithic, is the most beatiful ‘apiarian’ painting discovered till now.
TRACCE no. 9 – by Mila Simões de Abreu
2nd International Congress of Rupestrian Archaeology
2-5 October 1997 DARFO BOARIO TERME
Giocare sulla pietra nell’occidente d’Italia: 213 tavolieri incisi da Domodossola a Lucca
In November 1994 many worldwide RA researchers were surprised by the announcement of the “discovery” of the engraved rocks in Canada do Inferno, Vila Nova de Foz Côa, Portugal.
TRACCE no. 9 – by Ludwig Jaffe, Mila Simões de Abreu
2nd International Congress of Rupestrian Archaeology
2-5 October 1997 DARFO BOARIO TERME
Rio Sabor Rock Art discovery (Trás-os-Montes Portugal).
The Côa Dam will be substituted by “Laranjera dam”, Sabor river. Also there Palaeolithic style figures have been found, though their importance has been questioned.
TRACCE no. 8 – by J.M.V. García, I. Montero Ruiz, A. R. Alcalde
Digital image processing and prehistoric art.
the digitalizing of the Rock Art Archives of the Departamento de Prehistoria (Centro de Estudios Históricos, C.S.I.C.).
TRACCE no. 7 – by J.M. Bello
La organización del III Coloquio, que se desarrollará en La Coruña (Galicia, España) entre el 8 y el 13 de septiembre de 1997, corre a cargo de J.M. Bello, R. de Balbín y P. Bueno, con la colaboración de B. Bas, M. Rey y M. San Claudio, bajo el patrocinio del Ayuntamiento de La Coruña a través del Museo Arqueológico e Histórico de dicha ciudad.
TRACCE no. 6 – by Jane Kolber
Scale drawings of the Vale de Vermelhosa Engravings.
The Etched in Time Project invited me to be a participant in recording the engravings in the Vale de Vermelhosa (Côa Valley Area, Portugal).
TRACCE no. 5 – by Côwa Valley Rock Art
A joke about some “fresh” figures of palaeolithic Côwa Valley rock art…
