Val Meraviglie e Fontanalba (Barocelli 1921)

TRACCE free e-books
Barocelli P. 1921. Val Meraviglie e Fontanalba (Note di escursioni paletnologiche), Atti della Società Piemontese d’Archeologia e Belle Arti, vol. X, fasc. 1, 51 pp., X tavv.
| full text-image and PDF (TRACCE 2015 re-editing) | Italian
[editor’s note: this 1921 paper expresses the first complete archaeological and chronological framework of the Mt. Bego petroglyphic complex; the author, Piero Barocelli was the archaeologist charged with the area, which was at this time managed by the Italian Royal Archaeological Superintendence; Clarence Bicknell, during the last years of his life, passed to him the baton of the research]
by Piero Barocelli – 1921
Prehistory popularisation: a de profundis?

Two recently published archaeology books, mainly or partially concerning cave art, show a set of inaccuracies that doesn’t seem acceptable, not only at a specialised scientific level but also at an educational one. The lack of a review process performed by professional archaeologists demonstrates the weakness in Italy, and not only, of the archaeologist profession, particularly in the prehistoric and rock art fields.
by R.C. de Marinis
Le rupi scolpite delle Alpi Marittime (Issel 1901)

TRACCE free e-books
Issel A. 1901. Le rupi scolpite nelle alte valli delle Alpi Marittime, Bullettino di paletnologia italiana, s. III, t. VII, a. XXVII, n. 10-12, pp. 218-259.
| full text-image PDF (from TRACCE scan-OCR, public domain) | Italian
[editor’s note: the most detailed paper until that time on Mt. Bego’s engravings; Issel never recorded the engraved rocks, but attentively examined the literature and was in close and friendly contact with C. Bicknell]
by Arturo ISSEL
Entre Mont Bego et Val Camonica

Arcà Andrea, 2011.
Entre Bego et Val Camonica: une clé pour mieux comprendre l’origine de l’art rupestre dans les Alpes, in BEPAA XXII, pp. 71-89.
| full text-image inline PDF | French
La comparaison entre ces deux sites est cruciale pour l’encadrement global de l’art rupestre alpin.
by Andrea Arcà
Piero Barocelli, a rupestrian archeology pioneer

Piero Barocelli’s work on Mt. Bego Petroglpyphs plays a highly original and markedly pioneering role for the Alpine and European rupestrian archaeology. Full text-image inline PDF available (TRACCE open access papers).
Gli studi di Piero Barocelli sui petroglifi del Monte Bego assumono per l’archeologia rupestre alpina ed europea una posizione fortemente originale e di marcato pionierismo. Disponibile la versione PDF integrale.
by Andrea Arcà
“Praying figures” in Valcamonica rock art

- In Valle r. 4
TRACCE open access papers
Arcà Andrea, 2001.
Chronology and interpretation of the “Praying figures” in Valcamonica rock-art. In: Archeologia e arte rupestre: l’Europa – le Alpi – la Valcamonica, secondo convegno internazionale di archeologia rupestre. Atti del Convegno di studi, 2-5 ottobre 1997, Darfo Boario terme, Milano, 2001, pp. 185-198
| abstract and full text-image inline PDF | English, Italian
Rock art in the western Alps: research, methods…
Arcà Andrea, 2004.
Rock art in the western Alps: research, methods, data and discoveries. In: Actes du XIVème congrès UISPP, Université de Liège, Belgique, 2-8 septembre 2001. Section 8, Art du paléolithique supérieur et du mésolithique, C 8.4, Bilan des arts rupestres en Europe, Oxford, pp. 95-106
| abstract and full text-image inline PDF | English, French
The rock art tradition of Valcamonica-Valtelllina
Fossati Angelo Eugenio, 2007.
The rock art tradition of Valcamonica-Valtellina, Northern Italy: a world heritage view, in 2007, in Nash G. et al. (ed.), Landscape enquiries, the proceedings of the Clifton Antiquarian Club, volume 8, pp. 139-155.
| full text-image inline PDF | English
Following Arianna’s Thread Symbolic Figures
Fossati Angelo Eugenio, 2007.
Following Arianna’s Thread Symbolic Figures at Female Rock Art Sites at Naquane and In Valle, Valcamonica, Italy, in Nash G., Children G., 2008 (ed.), The Archaeology of Semiotics and the Social Order of Things, BAR International Series 1833, pp. 31-44.
| abstract and full text-image inline PDF | English
Digital auto-tracing (inline PPT to PDF)

TRACCE no. 11 – Andrea Arcà
Digital auto-tracing in Rock Art Recording. Applications of computer vectorial design (inline PPT to PDF).
In the same way that we need to have a good reproduction of the scenes depicted or embossed in vases, we have the necessity of recognising perfectly all the figures engraved on a rock surface…











