Animated Abstracts in Majes Rock Art

This paper is one of a series of studies that investigates the rock art of the Majes Rock Art Style (MRAS) in southern Peru. This time I focus on petroglyphs of long, pecked stripes that have been animated by the prehistoric Majes People. I now argue that those Animated Stripes and many other typical MRAS images (discussed earlier by me; see my bibliography), including another icon (the “Majes Spitter”, which is the subject of my next study) created the Toro Muerto Anomaly, which – unfortunately – is either unknown or neglected by archaeologists busy in the Majes Valley.

By Maarten van Hoek

Imaoun – Morocco: the Venus Cross

Imaoun-1 is one of the most important rock art sites in southern Morocco. In this study I briefly describe the array of petroglyphs at this site, comprising cupules, abstract motifs and patterns and biomorphic images. Imaoun-1 is also special because of its overrepresentation of abstract imagery. In this study I focus on one specific abstract petroglyph (said to have megalithic connotations), and – in more detail – on the Venus Cross, a globally widespread motif that is also overrepresented in this small part of Morocco. Its possible origin and journey across the prehistoric landscapes are also discussed.

By Maarten van Hoek.